“We are yet to find a Hrishikesh Mukherjee in our times,” writes Prakash Gowda.
“Ambai’s women come in all hues. They aren’t heroic caricatures. All of them struggle against, succumb to and overcome real pressures of everyday life,” writes Carol D’Souza.
“Is ‘No Parking’ a metaphor? Is this how Sharmila Aravind, PeeVee and Hamsavardhan visualise the title of their latest exhibition?” asks Hari Doss.
“Such is the permanence of Manto’s works that the artistes making the cinema disappeared into an ephemeral mist,” writes Tapan Mozumdar.
“एक पहलू जिसने इस प्रस्तुति को अद्भुत बनाया वो था नेपथ्य में चल रहा छायाओं का खेल,” सुरभी घोष चटर्जी लिखती हैं।
“I couldn’t help but wonder why Stree axed its own brilliance with a few tackiness,” writes Neha Surekha.
“B.A. Pass is not about sex. It’s a reflection of a society with limited financial security,” writes Akhil Kakkar.