“I noticed that besides curiosity, there was a sense of apprehension in their voices, a freckle of insecurity, a tinge of fear,” writes Tuhin.
Leslie Carvalho remembers the stalwart of Tamil cinema.
In an exclusive interview with Bengaluru Review, Maitreyee Bhattacharjee Chowdhury discusses her new book on the Hungriyalists.
Arun Bhatia reviews Vinay Pathak’s Nothing Like Lear.
“The djembe is a unique instrument in that both treble and base are found on the same surface,” writes Sonali Bhatia.
Five poems by Sameer Tanti, translated from Assamese by Dibyajyoti Sarma.
Neha Sureka reviews Amit Ravindrenath Sharma’s Baadhai Ho.